‘White spaces - voids on the page - are fundamental to the composition of a drawing. They produce rhythms, structure of narrative, hierarchies, and relationships between elements helping to configure the drawings as a text to be read or a kind of musical notation to be imagined. White space serves to breathe a lightness into drawing. One of the clearest and most significant examples of this can be found in traditional Chinese landscape painting - an artistic expression that is not only a description of the visible world, but also the invisible. The use of voids and lightness convey the artist’s perception of how energy and spirit move through the world, transforming mere representations into idealized images.’

Valerio Morabito, DRAWING